screenplay submissions
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A Real Screenwriter’s Business Model – The Business of Next
Out o come {out-kuhm}
- noun
1. a final product or end result
The definition referenced above is confirmation that you have total control over one outcome… Completing your screenplay!
Will it be represented? Will it be sold? Will it be made? Who knows, I don’t. But, what I do know for certain is this… if you decide to write a screenplay YOU can determine the story, the characters, the world, and when it will be a final written product.
As a strong reminder all other outcomes are not in your control. If you can embrace this as truth you will save yourself from years of heartache.
Just remember all other outcomes are out of your control.
For many aspiring writers the search for a representative to sign them and market their material or to align themselves with an established producer who will bring their words to life can be a daunting and frustrating task. It can make you SCREAM!
Submitting your material blindly and never hearing back a response is tough, but to submit material that has been requested and then NEVER hear back, ugh. Shoot me now.
That voice in your head turns on you. Doubt creeps in. Am I good? Am I wasting my time? Should I get a real job? Self-preservation of the ego kicks into overdrive. Then the big one: What have I done with my life?
Be assured you are not alone. You may feel alone, but you are most definitely not. First everyone in the business has their own challenge and while it may feel different from yours, it isn’t. The agent that didn’t make partner, the producer who’s last movie tanked, the actor who no longer opens a film, the writer who wants to direct, the TV writer who wants to be in film, the list is endless. This is the business of
Next.
Keep in mind that you may never hear from the recipient of your material ever again. The reasons vary so greatly that you will never know why.
Next time you feel this way remember the following: You are in control of only one outcome — completing a final written product. The rest is not in your hands. It’s just not. We trick ourselves into believing that if we worry enough and get angry enough we will somehow impact the outcome. It won’t.
Introduce your material and follow-up about a month later if you don’t hear a response. Follow-up a month after that and so on…
When do you stop following up? Depends on you…
Keep in mind that you are not the only screenwriter that submitted material. Additionally, the professionals I personally know have so much material presented to them from varying sources that much gets lost in the shuffle.
Submit and move on to the next. In fact, your mantra should always be NEXT, moving on!
Submit, follow up, submit, and follow up. NOTE: If you submit via email it may be useful to attach your screenplay again to make it easily accessible to the third party.
Sometimes my office receives angry calls or emails because a writer is frustrated that we have not responded to their material. That immediately gets our response. My assistant scans our submissions and tosses their screenplay away.
Be original in your follow-ups. Maybe it’s not an email, but it’s a thank you card for the opportunity to submit. Maybe it’s an article you read about them, their movie or their client that you include in a note. Maybe you attend a conference where they are speaking. You get it… the possibilities are endless.
Be gracious, patient and most of all original when you follow up… you are a writer after all.
Submit, follow up, submit and follow up. Next, moving on!
Obtaining an Agent Within a Literary Agency
Obtaining an agent within a Literary Agency is one of the first questions presented to any screenwriter once he or she has finished writing their screenplay. It can feel a little daunting and perhaps a bit overwhelming. But you need not fear. It is all part of the process. Don’t let the business side of writing scare you. That’s where the most important part of your career happens.
The best way to approach a literary agent within an agency is through writing them a query letter. This is the method most preferred by agents. When researching a literary agency, make sure to ask what their guidelines are for submissions. Most literary agents have specific requirements on what they will or will not accept.
Being a screenwriter, one of the key questions you want to have answered is what genre the agent represents. And does your screenplay fit their criteria. The worst mistake you can make is to send a query letter and a copy of your screenplay to a literary agent who does not represent the market in which your screenplay falls. But don’t let that frighten you. You might find an agent who has decided to branch out.
As a general rule, the best advice that anyone can give you is for you, the screenwriter, to do your research thoroughly on a literary agency before you start sending out query letters and copies of your screenplay. In the long run it will pay off. In fact, don’t send the screenplay at all unless they ask you to send it. They do not like to received unsolicited screenplays, but many of the will accept an unsolicited query letter as long as it’s good.
Another factor to consider before submitting your work to an agent is that your screenplay should be as polished as you can make it. Have a professional in the film business, preferably a legitimate script consultant, read your story and give you feedback. Another set of eyes is always a good idea. It can give you insight into how others will interpret your character’s story line. Try to define any hidden weaknesses within your screenplay and resolve them. Are your characters distinguishable? Is your plot character driven? Is your screenplay compelling? Does it affect you emotionally? Have you woven the plot, characters and theme into a cohesive story?
Once you have done a final re-write of your screenplay and feel confident that it is the best that you can present you are now ready to begin advancing your career as a screenwriter by approaching the screenwriting agents.
With your research complete on a literary agency, start writing your query letters. Make sure to include a list of your credentials. If you have won any writing contests, these should be noted.
Remember your goal as a screenwriter is to obtain a literary agent within a literary agency. You want to find an agent who will represent you and your screenplay to producers and studio executives in the best possible light. Before submitting your query letters and copies of your screenplay make sure to pay special attention to each agent’s preferences and guidelines. You will have a far greater response from your mailings if you do so.